The Ninjirate

Half ninja, all pirate. 150% awesome

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sometimes… I just don’t know.

Fucking riddle games though, man. Fuck the riddle game. it’s bullshit.

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I realized why I love Destiny so much.

I wanted to love WoW, because everyone else did. All my friends were into playing this game with overly repetitive gameplay, boring quests, soul-sucking boredom, and just otherwise pointless ventures so that you could say, “I reached level (Arbitrary Level Cap)!”

I couldn’t get into it. I hated the quests, it was way too much work for so very little reward. It was definitely regulated by areas you could not access if you hadn’t spent arbitrary amount of time reaching a high enough level. It wasn’t skill-based. It wasn’t something that anyone could just pick up and play. (There is very much an elitist culture still)

What I love about Destiny is that they went and did the opposite of every major MMO I’ve encountered. Anyone can put just 8 hours in and reach the high level and be with the cool kids, but the game doesn’t get stupidly easy when you’re that high level. Exploration is definitely encouraged, because there is stuff to find. It rewards your ability to play the game, not the ability to sink time and money in. The quests aren’t stupidly difficult for meager gear (Still get meager rewards… but they have use and you didn’t spend an hour on them). Doing a strike partners you up with people who are the appropriate level, instead of making you search every time. The class structure lets you play your way, without forcing you to fall into a particular role. The PvP is accessible at most any level (but, it’s bring your own gear, so that’s a bit of a let-down for low-levels). And there’s really no way to be an elitist while playing it, because if you don’t need people… you just do your own thing until you’ve got to work with them.

It took the things I wanted from an MMO, and cut out everything I hated in them. Destiny is the kind of MMO I can get into, because I like being rewarded for being me.

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eamo2747-deactivated20140924 asked: I'm confused about what Beethoven was doing in the black composers post. He was German.

heckascootie:

tj:

runonsentencesaboutemotions:

cubbyzissou:

thepianogirl1:

unimaginableunimaginable:

deadcatwithaflamethrower:

whitepeoplestealingculture:

By golly gee! I keep forgetting that Black people didn’t exist until the Fresh Prince of Bel Air came on television! Or that Black people existed in anywhere else than Africa even with slavery going on :) My apologies.

Anyway, here’s proof that Beethoven was Black:

"… Said directly, Beethoven was a black man. Specifically, his mother was a Moor, that group of Muslim Northern Africans who conquered parts of Europe—making Spain their capital—for some 800 years.

In order to make such a substantial statement, presentation of verifiable evidence is compulsory. Let’s start with what some of Beethoven’s contemporaries and biographers say about his brown complexion:

Beethoven2

(Louis Letronne, Beethoven, 1814, pencil drawing.)

"Frederick Hertz, German anthropologist, used these terms to describe him: ‘Negroid traits, dark skin, flat, thick nose.’

Emil Ludwig, in his book ‘Beethoven,’ says: ‘His face reveals no trace of the German. He was so dark that people dubbed him Spagnol [dark-skinned].’

Fanny Giannatasio del Rio, in her book ‘An Unrequited Love: An Episode in the Life of Beethoven,’ wrote ‘His somewhat flat broad nose and rather wide mouth, his small piercing eyes and swarthy [dark] complexion, pockmarked into the bargain, gave him a strong resemblance to a mulatto.’

deathmaskdeathmask2
Beethoven’s death mask: profile and full face

C. Czerny stated, ‘His beard—he had not shaved for several days—made the lower part of his already brown face still darker.’

Following are one word descriptions of Beethoven from various writers: Grillparzer, ‘dark’; Bettina von Armin, ‘brown’; Schindler, ‘red and brown’; Rellstab, ‘brownish’; Gelinek, ‘short, dark.’

In Alexander Thayer’s Life of Beethoven, vol.1, p. 134,  the author states, “there is none of that obscurity which exalts one to write history as he would have it and not as it really was. The facts are too patent.” On this same page, he states that the German composer Franz Josef Haydn was referred to as a “Moor” by Prince Esterhazy, and Beethoven had “even more of the Moor in his looks.’ On p. 72, a Beethoven contemporary, Gottfried Fischer, describes him as round-nosed and of dark complexion. Also, he was called ‘der Spagnol’ (the Spaniard).

Other “patent” sources, of which there are many, include, but are not limited to, Beethoven by Maynard Solomon, p.78. He is described as having “thick, bristly coal-black hair” (in today’s parlance, we proudly call it ‘kinky’) and a ‘ruddy-complexioned face.’ In   Beethoven:  His Life and Times by Artes Orga, p.72, Beethoven’s pupil, Carl Czerny of the ‘School of Velocity’ fame, recalls that Beethoven’s ‘coal-black hair, cut a la Titus, stood up around his head [sounds almost like an Afro].  His black beard…darkened the lower part of his dark-complexioned face.’

  BeethovenCweb

Engraving by Blasius Hofel, Beethoven, 1814, color facsimile of engraving after a pencil drawing by Louis Letronne. This engraving was regarded in Beethoven’s circle as particularly lifelike. Beethoven himself thought highly of it, and gave several copies to his friends.

Beethoven, the Black Spaniard

(read more here)

They whitewashed BEETHOVEN?  O_O

Thank you, history/fact-checking Tumblr.

I now feel the need to go burn every white-skinned image of Beethoven I can find.

beethoven was totally black! how do people not know this?

jk because erasure

I have been playing Beethoven’s music for 10+ years now and had absolutely no idea he was black.
My life has been a lie.

OH MY GOD HOLY SHIT.

I HAVE A BACHELOR DEGREE IN MUSIC, MY MAJOR WAS “MUSIC HISTORY, THEORY, AND LITERATURE”

I TOOK MULTIPLE CLASSES SPECIFICALLY IN BEETHOVEN’S STRING QUARTETS AND MY SCHOOL HAD AN INTERNATIONAL BEETHOVEN SYMPOSIUM WHERE THERE WERE PAPERS ON THINGS LIKE THE KIND OF FUCKING PAAAAAAPER HE DID HIS MANUSCRIPTS ON, IN DIFFERENT CITIES, TO SEE WHERE AND WHEN HE WROTE SPECIFIC SNIPPETS OF MUSIC.

NEVER IN MY EDUCATION OR READINGS DID I EITHER

A) NOTICE THIS

B) WAS SPECIFICALLY TOLD THIS.

I think there’s a combination of systemic racism in this, and my own internalized racism. I have, in fact, read Maynard Solomon’s biography and didn’t pick up on this. I have read the Czerny sources as well. My Beethoven teacher (Bill Kinderman) is one of the top Beethoven scholars in the world, and I don’t remember hearing any of this from him.

I even did a semester of graduate work in musicology, specifically focusing on the Beethoven string quartets (I really fucking love those things) and we never spoke about this.

I cannot say I am in any way surprised at this. I am embarrassed, angry, and upset that this was erased from my DECADES of music education.

Which doesn’t surprise me at all, because classical music is very specifically in our culture for white people, especially men, especially upper class white men.

Oof, this one is going to take a while to fully fucking digest, I am in angry tears.

Holy shit. One of the greatest musical minds of all time and he got whitewashed.

The truth needs to be spread.

Johnny Carson voice: “I did not know that.”

This isn’t the first time that I’ve read on tumblr that Beethoven was black, but I feel compelled to reblog it now because casually scrolling past evidence of erasure and noting it is not enough. I’d love to see a documentary about this.

30,928 notes

housewifeswag:

Tony Porter: A Call To Men
"Tony is the original visionary and co-founder behind A CALL TO MEN: The National Association of Men and Women Committed to Ending Violence Against Women. He is the author of "Well Meaning Men...Breaking Out of the Man Box - Ending Violence Against Women" and the visionary for the book, NFL Dads Dedicated to Daughters.

Tony's message of accountability is welcome and supported by many grassroots and established organizations. He’s currently working with numerous domestic and sexual violence programs, the National Football League, the National Basketball Association, colleges and universities around the country. He has worked with the United States Military Academy at West Point and the United States Naval Academy at Annapolis.

Tony is an international lecturer for the U.S. State Department having worked in the Democratic Republic of the Congo, United Kingdom and Brazil. In addition, he has been a guest presenter for the United Nations' Commission on the Status of Women and has been a script consultant for Law & Order: Special Victims Unit." - (x)

this is so important.

(Source: exgynocraticgrrl, via justlistener)